The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Come join me, will you? [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. Maggie. Join StageAgent today and unlock amazing theatre resources and opportunities. You can see four different versions of it and enjoy each one.". Saunders' harried assistant, Max, is also in the hotel suite. Login. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. Acting Monologues . Possum Point Players, Tech Crew at Maggie is a fan of Tito Merelli, and hopes to meet him. Seeking 2 Actor Team for Spring A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli. It starts spinning early in the show and just never stops. Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. Jillian Vitko. Seeking 2 Actor Team for Spring The ultimate operatic experience! VOCAL SCORE LONDON JUNE 2011. . Take a look at our The play was produced on both the West End (1986) and Broadway (1989). Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. Hello Ken!Wow! Then Saunders gets a phone call, telling him that the police are downstairs in the lobby. Research Playwrights, Librettists, Composers and Lyricists. Mary Catherine Garrison. Max finds an empty medicine bottle and Maria's "Dear John" letter, which is written in such a way ("By the time you read this, I will be gone.") Max's performance as Othello was a huge success, and no one suspected that he was not Tito. The winner of two Tony Awards and four Drama Desk Awards has. Sign up today to unlock amazing theatre resources and opportunities. Wearing Tito's costume and makeup, Max will star in the opera performance. The play takes place in 1934, in a hotel suite in Cleveland, Ohio. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. Maggie's father, GM of The Cleveland Grand Opera Company. "- Glendale Theater Examiner. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! Build a site and generate income from purchases, subscriptions, and courses. "The comedy is the premise of the situation. Please enable JavaScript to experience Vimeo in all of its glory. It starts spinning early in the show and just never stops. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. Lend Me a Tenor (Revival, Play, Comedy, Farce, Broadway) opened in New York City Apr 4, 2010 and played through Aug 15, 2010. . New York, NY, Linda Ray You also provided your favorite Shakespearean comedic monologues for women.I'd love to hear your thoughts on your favorite monologues both from your works as well as others for men.THANKS!AdolphoKen replies:Dear Adolpho,I'm so glad to hear you've enjoyed reading the blog. But these are just some of the backstage goings-on during a night at the opera in the hit comedy, "Lend Me A Tenor.". Audition Packets are available on the website. Brooke Adams. Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. Cedar Street Players, Julia at It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". The good-natured Tito encourages the inhibited Max to pursue his operatic ambitions, even offering vocal tips as the two break into a duet, the aria "Do,che nell'alma infondere" from Verdi's "Don Carlo.". We will place the best person for those roles, whether they sing or not. A few brief words, nothing elaborate. "The role doesn't require the character study that more serious shows do," said the Ellicott City attorney who was a county prosecutor until last year. A center "stage wall" divides the two rooms, with a door leading from one room to the other. Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. Make Salome look like The Merry Widow!To ask Ken a question, click here. "I hope this is helpful. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. Saunders is furious. Click the start the download. Come join me, will you? ** Please note that the ages listed are not set in stone. I am very excited that Im making my directorial debut at the Duluth Playhouse with this crazy, crazy show. Lend Me A Tenoris set in September 1934. Michael Kraklio, director. I- I could tell him that you're looking for him. My God youve solved the whole problem! . IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. On this Wikipedia the language links are at the top of the page across from the article title. Part Size: Lead. AUDITION REQUIREMENTS: Please bring a current headshot & resume. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. Lend Me A Tenor will be directed by Wade Willis. A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. Register. He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. But Tito arrives sick from overeating and Maria is angry at his flirting and infidelities. Five doors, primed for slamming, in a single hotel suite. CCP decided two years ago to limit its annual lineup to light comedy. Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Lend Me a Tenor guide sections. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. Maria. Maggie: (20s to 30s) Max's Girlfriend - pretty, quirky; a young woman who doesn't want to . At the end of the play, things are sorted out. Oh oh oh absolutely. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. Gender: Female. "Then there is the singing. DOWNLOAD PDF . All monologues are property and copyright of their owners. In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. The Columbia Community Players will present "Lend Me a Tenor" at 8 p.m. today and tomorrow, and Nov. 4 and Nov. 5 at Slayton House in Columbia. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" Sign up today to unlock amazing theatre resources and opportunities. Sallie Roberts, as Julia, puts on the voice and air reminiscent of the pretentious society matrons featured prominently in the glamorous and/or screwball films of the 1930s. Sign up today to unlock amazing theatre resources and opportunities. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. 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